Cod and its Oil, Cuisine and its Supplements

The history of global capitalism is one of casting vegetables, animals, and minerals–and everything in between–as “resources” that can be bought in one place and then sold in another. What role do edible fats play in this history?

Edited by Elena Kochetkova, Matthias Heymann, and Ines Prodöhl, this special issue of Global Environment: A Journey of Transdisciplinary History turns it attention to “Global fat resources: Connecting themes, approaches, and narratives, c. 1850–2020s.” Contributors highlight all kinds of edible oils and fats, from seeds and soybeans to coconuts and palm fruits.

Adding one of the fishy examples, my article “Cod and its Oil, Cuisine and its Supplements” draws from my research in Newfoundland, asking: What makes a resource “natural”?

New Books in Environmental Humanities

At the end of this month I’m delighted to return to Venice—a city that never fails to melt my knees and electrify my heart—to present Culinary Claims at the New Institute Centre for Environmental Humanities at Ca’ Foscari University of Venice.

It was in Venice that my doctoral research matured and grew into a book, and so I’m honoured to be able to share this work with the city that hosted my while I penned its first draft.

My gratitude goes to Francesca Tarocco for the invitation and to Fulvia Larena for generously serving as the discussant.

Please join us at Aula Baratto at 4pm on Friday 30 January.

Colonial Codscapes

I’m excited to attend the 2025 American Studies Association Annual Meeting this week in San Juan, Puerto Rico. This year’s conference casts its attention to the theme of “Late-Stage American Empire?” and I am looking forward to contributing to the “Edible Imperialisms” panel organized by the Critical Food Studies Caucus.

My presentation traces colonial cod connections between San Juan and Saint John’s to ask: Why does an island in the Caribbean famous for its fishing import salt cod—so stiff, so dry that it needs to be soaked and rinsed and rehydrated—from icy northern waters?

The Invention of Fish

What makes a fish fresh? Is it the proximity between life and death? Or the relationship between temperature and time? And how has food science and technology transformed freshness and the criteria to which it is tethered?

On Monday 17 November, I am excited to run with these questions in my lecture “The Invention of Fish” at the Detusches Museum, Munich, as part of its joint TUM History of Tech Professorship Oberseminar Series. I am most grateful to Professor Tamar Novick for this chance to share my research on the other side of the Isar and to the great thinker of wetness Dilip Da Cunha for inspiring my title.

Cod, Cabot, and the History of Salt

On the last (and spookiest) day of October, I look forward to sharing my research with my colleagues at the University of Augsburg. Titled Cod, Cabot, and the History of Salt, I will present my work about global codscapes and about foodways found and lost at the fifth meeting of The Network of Environmental History.

Recipes and Ingredients and RELISH

What is a recipe and what exactly is it that one does? Sure, a recipe can give you directions to dinner, but what other worlds does it story and perhaps even build?

Organized within the framework of RELISH (Reframing European Gastronomy Legacy through Innovation, Sustainability and Heritage), a European Union Horizon project, next week I’m excited to return to the University of Gastronomic Sciences in Pollenzo, Italy, for the workshop “Recipes and Gastronomy as Cultural Heritage: Meaning, Methodology, and Media.” My paper—Tongues and their Mothers, Ingredients and their Understudies—considers the politics of names and substitutions by asking: When does a recipe stop being one dish and, instead, turns into another?

Plates and Other Collisions

The Off the Menu: Appetites, Culture, and Environment research group, which I lead at the University of Augsburg, is excited to share that we are currently accepting applications from researchers and practitioners interested in all the ways that eating and ecology intersect to join us for a culinary environmental humanities forum in Bavaria in June 2026.

Find the call and more details on our website.

The Northrop Frye Centre Distinguished Lecture

It is an immense privilege to share that I have been invited to deliver this year’s Northrop Frye Centre Distinguished Lecture at the University of Toronto.

The story is the spice, it’s the seasoning, the salt, says one chef. It is stories that flavour food—something to think about every time a recipe instructs you to “salt to taste.” But salt does not season food alone. Salt spikes the water. It lines the rocks. It thickens the air. Salt behaves and misbehaves in terms of where it shows up, and how much of it. Just as climate change is largely a story about water—too much in some places, too little elsewhere, and temperatures that are too high—salt traces environments past, present, and future. Braiding together salt, stories, and other survival skills, I will present a lecture about preservation, time, and environmental futures.

If you’re in the city, one that I am lucky enough to call my hometown, please join on 6 October for Salt, Stories, and Other Survival Skills, at Victoria College at 5pm, followed by a reception.

The Built Ocean

Architecture, as a practice and as a discipline, needs solid ground and yet shorelines ebb and flow, refusing to commit to a single line that separates water from land. This introduces the idea of an architecture of the sea, a theme that’s the lodestar of “The Built Ocean” conference, hosted by the Faculty of Architecture at the University of Porto from September 10 to 13, and that I’m most excited to be presenting at in the company of so many fellow watery researchers.

Thinking about what I call codscapes, my contribution to the Animals panel is set on Fogo Island and begins with my first night in saltbox house, which taught me that here and in other Newfoundland outports buildings, like shorelines, don’t stay still. In response my paper, Split, Salted, and Staged, will spotlight the Newfoundland fishing stage as an example of liminal and amphibious heritage that is equal parts material, cultural, and environmental.

'Culinary Claims' nominated for a Gourmand Award

The Gourmand World Cookbook Awards, founded by Edouard Cointreu in 1995, fete the year’s best books in food and drink, and I am humbled that Culinary Claims: Indigenous Restaurant Politics in Canada is a 2025 contender in the “Culinary History” category (and is in such inspiring company).

The ceremony, where the winners will be announced and applauded, will take place the last week of November.

Food Art Research Network

A constellation of artists and cultural workers engaged with the aesthetics and politics of food, the Food Art Research Network aims to nurture peer learning, exchanges, and encounters in contemporary art and beyond.

I am chuffed to officially join this inspiring community and look forward to contributing to FAR’s commitment to slow cultural work and its sensitivity to supporting metabolic connections that reimagine our worlds.

A Culinary Conversation about Archives, Climate Histories, and Canned Futures

If to talk about food is to talk about the weather, then to talk about cuisine is also to talk about climate, its histories, futures, and uncertainties. In 1989 the chef Alice Waters claimed, “As restaurateurs, we are now involved in agriculture and its vagaries. This isn’t a matter of idealism but rather of self interest and survival.” This introduces how human appetites are architects shaping environments of worlds past and worlds present. And yet, why does environmental history prioritise production over consumption?

In response, I’m excited to be in Uppsala next week for the European Society for Environmental History’s 2025 Conference: Climate Histories. Together with Penelope Volinia and Philine Schiller, I will be “cooking the books” to stage a culinary conversation about archives, climate histories, and canned futures.

Talking Top Chef on Dish Dish

Carolyn Mason and Ariana Gunderson are two food anthropologists and the hosts behind Dish Dish—a podcast for smart people who like food TV.

Last week I had the delight of (and a blast) chatting with them about my book, Culinary Claims, Top Chef Season 22, and representations, imaginations, and stereotypes of foodways in Canada.

Listen to the episode here, or wherever you get your podcasts.

The Environment & Society Portal publishes an excerpt of 'Culinary Claims'

The Rachel Carson Center runs the Environment & Society Portal, which serves as a gateway to open access resources on human-environment relationships. It spans the center’s own publication series alongside virtual exhibitions and a multimedia library, and I’m thrilled that an excerpt from Culinary Claims: Indigenous Restaurants Politics in Canada has now joined its collection. Read the book’s introduction here.

Muktuk and Culinary Borders

In their work as editors, Olga Trufanova and Julia Herzberg have assembled a collection of essays that expands the geographical focus of studies of food and colonialism. Gathered in a special issue of Food & History dedicated to “Food and Body in Colonial Contexts, 1600–1900,” I’m humbled to have contributed the article “Muktuk and Culinary Borders in the North American Arctic since 1867.”

Often accompanied by the word “delicacy”, muktuk—whale skin and its blubber—is a culinary staple in the Arctic, as well as a polarizing food that colonists and settlers have largely rejected. It, therefore, introduces themes pertinent to the history of dietary cultural encounters in northern colonial settings—from the politics of “delicacies” to how foods make and unmake borders. My article follows muktuk’s textual traces to analyse how they represent culinary relationships between peoples, cultures and northern lands. Focusing on the period post-1867, it asks: what is a culinary border and how does the word “delicacy” materialize, manage, and maintain cultural distance?

'Culinary Claims' on the New Books Network

Last week I not only had the pleasure of chatting with Dr. Miranda Melcher about my book Culinary Claims, Indigenous Restaurant Politics in Canada, but I also had heaps of fun.

A prolific and curious reader, Miranda is the host of New Books with Miranda Melcher, a special series of interviews for the New Books Network.

Our conversation was published yesterday, which you can listen to here.

Fish and Other Thefts

What does it mean to steal a fish? What worlds do fish story? And how do stories come to matter?

Based on a workshop at Ca’ Foscari University of Venice about the intersections between food studies and the blue humanities, it is a delight to have contributed a bold series of notes (also known, I guess, as a chapter) to the book Stories Come to Matter: Water, Food, and Other Entanglements, which was thoughtfully edited by the kind souls that are Santiago Alarcón-Tobón and Enric Bou.

Generously available open-access, download “To Steal a Fish” here and the whole book here.

Storying Seascapes, Writing Water

Although I’m someone who tries to paint with all the crayons in the box, years ago I fell in love with Hiroshi Sugimoto’s Seascapes. In his photographic portraits of bodies of water around the world, the artist restricts his palette to black and white and the worlds of grey between the two.

And so I am beatific to have had the opportunity to write what is, one part, a love letter to Sugimoto’s Seascapes and, another part, a polemic against coding water as only blue for Water Cultures, a trilingual exploration of what it’s like to write watery worlds from a slew of disciplines.

Edited by Charlotte Ladevèze, Davide Martino, Eva Rothenberger, and Corinne Fournier Kiss, and published by the University of Fribourg, the book is—hurray!—open access and free to download here. And a thousand thanks to Sugimoto’s Studio for generously gifting my chapter some of his Seascapes.

Writing Appetites and Their Worlds

Next Thursday I’m honoured to participate in the Edible Dialogues series, which is organized by the Graduate Association of Food Studies (GAFS) and aims to promote a collaborative environment that develops inner and cross-disciplinary discussion.

Drawing from the experience of writing my first book, Culinary Claims: Indigenous Restaurant Politics in Canada, in tandem with how my research at large straddles food cultural history and the environmental humanities, I will reflect on how genre and appetites collide in how we write food studies scholarship.

All are welcome to join us online on Thursday 24 April at 5pm CET for “Eating With the Trouble: Writing Appetites and their Worlds.” Register here.

'The Abandoners'

What happens if we see motherhood not as a portrait, but as a landscape?

I am beatific to have written my first non-academic book review, which of course disrespects genres by borrowing from the personal essay—titled “A Literary Dictionary of the Mothers Who Leave”—about Begoña Gómez Urzaiz’s important The Abandoners: Of Mothers and Monsters.

Thank you kindly, Literary Hub, for hosting my most tender of words and for letting me confess my commitment to leopard print as an aspirational aesthetic.